Release notes

mollusk 1.0.2

Volume automation ramps play as in Pro Tools between their breakpoints (fades by automation no longer hang loud on the way down)
Fades and crossfades keep their Pro Tools length and shape, on tick-based tracks and on clips stretched with Elastic Audio as well
Clip positions match Pro Tools in long sessions, on tick-based tracks and for clips stretched with Elastic Audio
Overlapping clips on a track play as Pro Tools shows them
Clip gain ramps play as in Pro Tools between their points
Sessions at Pan Depth -6.0 keep their panned levels exactly
A video track is silent in REAPER, as in Pro Tools; the video's sound stays on its own audio track
Minor bug fixes and improvements

Recover deleted clips, in Settings, is removed. Projects came out the same with the setting on and off: what it reported as deleted clips were fades sharing a number with a clip, which is fixed, and a clip deleted and saved in Pro Tools leaves no position in the session file to recover. The report still names any clip left out

A Pro Tools master fader with plug-ins, set away from 0 dB or automated, arrives as a track of its own, so the plug-ins run after the fader as in Pro Tools. Keep the master fader on REAPER's master, in Settings, turns this off
Faders, pan knobs and mute buttons follow automation on tracks in Touch and Latch, as on tracks in Read
Keep frozen tracks frozen, in Settings: a track frozen in Pro Tools arrives frozen in REAPER and plays what Pro Tools rendered
Dragged and preset fade shapes are carried as a volume envelope on the item. Use REAPER fades only, in Settings, writes ordinary REAPER fades instead
After an update, every queued session is checked again
A light by Help shows when a newer version of mollusk is available

Automated pans arrived on the opposite side in REAPER. Static pans were not affected. Reconvert a session with pan automation to pick this up
Minor bug fixes and improvements

Ctrl+I adds sessions to the queue from a file window, and Ctrl+Shift+I adds every session in a folder (Command on a Mac)
In REAPER's mixer, faders, pan knobs and mute buttons now follow a track's automation on tracks in Read, as in Pro Tools. Reconvert a session with automation to pick this up
Copy media into project (was Copy audio) also copies the video in the session's Video Files folder
Avid plug-ins that arrive as REAPER's own plug-ins are now named for the plug-in they replace, for example EQ3 7-Band (ReaEQ)

Converts a Pro Tools session to a REAPER project: tracks, audio, MIDI, routing, sends, the mix, automation and playlists
Carries the settings inside plug-ins across wherever REAPER has the same plug-in
Swaps Avid's EQ3, Dyn3 and Channel Strip for REAPER's own EQ and dynamics, and names the rest of Avid's plug-ins
Every queued session is checked in the background, so a session with something that will not transfer turns yellow before converting; Refresh queue checks the queue again
A Filter box above the queue finds a session by name
Settings for each session, saved presets, and Duplicate for converting one session several ways
A report beside every project names anything that did not come across
App settings > Text size makes everything in mollusk 125% or 150% larger